My Story
Japanese Calligraphy
Kana and Kanji
I started practicing calligraphy in 2014 and study with the Japanese Calligraphy Foundation and Kashuu-Sensei, my works assessed and graded in Japan. The Foundation, established in 1953 by Harada Kanpo and certified by the Cabinet Office of Japan in 2012, is preserving the philosophy of “tradition, beauty, love of calligraphy”. Examination work is graded and licenses are given to those who have passed the certification. The Foundation also holds calligraphy exhibitions, facilitates international exchanges, publishes catalogues and guidebooks and supports research and museum preservation of the calligraphic works.
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I study both Kanji and Kana writing. The Kanji course teaches beautiful and correct writing of Kanji, Chinese characters, in five major scripts (kaisho, gyosho, sosho, rensho and tensho) in which I am currently at 5th dan (think black belt in calligraphy!) and can apply for a license to teach adult level. The Kana course teaches “old” or “woman’s hand”, unique calligraphic style which is preserved from Heian period (794-1185 CE) and characterised by connected flowing elegant writing.
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I regularly take part in calligraphy competitions, organised by the Japanese Calligraphy Foundation (see Exhibitions section below).
Japanese Culture Studies
University and Tea
I have further developed my understanding and knowledge of Japanese cultural heritage through studying with the School of Oriental and Asian Studies in London. This School provides an object-focussed Master's equivalent postgraduate course in Asian Art History from pre-history to contemporary times and teaches ability to relate artefacts to religious, historical and social contexts. Both religious and secular, including decorative, art objects are studied. Having studied Japanese and Korean, Indian and Islamic Art, I qualified and now hold a Postgraduate Diploma (MSc equivalent) in Asian Art.
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I am also furthering my cultural knowledge through taking regular Japanese Tea Ceremony classes with a master in London.
Chinese Painting
The Art of Being Meticulous
My journey in Gongbi, or Chinese Meticulous Brush painting, started during Covid-19. Through lockdowns I had plenty of time to hone my skills and have by now completed a professional level course.
The style has a rich and captivating history that spans centuries. Originating during the Han Dynasty (206 BC – 220 AD), Gongbi painting evolved from earlier forms of Chinese art and became highly refined during the Tang (618-907 AD) and Song Dynasties (960-1279 AD). The term "Gongbi" translates to "meticulous" or "fine brushwork," emphasizing the intricate details and precision involved in this style of painting. Gongbi paintings typically feature meticulous brushwork, precise outlines, and vibrant colors, showcasing subjects with clarity and realism.
My calligraphy qualification lends itself magnificently to painting, and my passion for the art is reflected in my work. Creating these pieces requires a lot of effort and patience, but I always ensure that the end result is reflective of the beauty of the nature.​
Traditional Arts
Art School
I have also obtained a Master's degree from the King's Foundation School of Traditional Arts, which provides students with an immersive and comprehensive education in various traditional art forms. The curriculum encompasses a wide range of disciplines, including but not limited to geometry, calligraphy, ceramics, miniature painting, and woodwork, all rooted in the rich cultural heritage of diverse regions and civilizations.
Through a combination of theoretical study, practical training, and hands-on experience, students develop a deep understanding of the historical, cultural, and aesthetic dimensions of traditional art forms.